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  • Flamenco Music : History, Forms, Culture
    Flamenco Music : History, Forms, Culture

    An expert explains and analyzes the beloved art form An iconic symbol of Spain, flamenco has become a global phenomenon.Peter Manuel offers English-language readers a rare portrait of the music’s history, styles, and cultural impact.Beginning with flamenco’s Moorish and Roma influences, Manuel follows the music’s evolution through its consolidation in the mid-1800s and on to the vibrant contemporary scene.An investigation of flamenco’s major song-types looks at rhythm and compás, guitar technique, and many other aspects of the music while Manuel’s description and analysis of the repertoire range from soleares and bulerías to tangos.His overview of contemporary flamenco culture provides insight into issues that surround the music, including globalization, gender dynamics, notions of ownership, and the ongoing debates on purity versus innovation and the relative roles played by Gitanos and non-Gitanos.Multifaceted and entertaining, Flamenco Music is an in-depth study of the indelible art form that inspires enthusiasts and practitioners around the world.

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  • Music in the Baroque World : History, Culture, and Performance
    Music in the Baroque World : History, Culture, and Performance

    Music in the Baroque World: History, Culture, Performance offers an interdisciplinary study of the music of Europe and the Americas in the seventeenth and first half of the eighteenth centuries.It answers calls for an approach that balances culture, history, and musical analysis, with an emphasis on performance considerations such as notation, instruments, and performance techniques.It situates musical events in their intellectual, social, religious, and political contexts and enables in-depth discussion and critical analysis.The companion web site provide links to scores and audio/visual performances, making this a complete course for the study of Baroque music. Features An interdisciplinary approach that balances detailed analysis of specific pieces of music and broader historical overview and relevance A selection of historical documents at the end of each chapter that position musical works and events in their cultural context Extensive musical examples that show the melodic, textural, harmonic, or structural features of baroque music and enhance the utility of the textbook for undergraduate and graduate music majors A global perspective with a chapter on Music in the Americas A companion score anthology and website with links to audio/video content of key performances and research and writing guides Music in the Baroque World: History, Culture, Performance tells stories of local traditions, cultural exchange, performance trends, and artistic mixing.It illuminates representative works through the lens of politics, visual arts, theology, print culture, gender, domesticity, commerce, and cultural influence and exchange.

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  • History, Culture & Architecture Tour of Edinburgh
    History, Culture & Architecture Tour of Edinburgh

    Experience Days Tours: This three-hour guided walking tour of Edinburgh will fascinate discerning sightseers. Led by descendants of one of the city’s most influential families, it’s a chance to explore the unique history, culture and architecture of the Royal Mile and Old Town.Tours begin outside Usher Hall on Lothian Road, a building of special significance to your guides Stuart and Richard. It was their ancestor Andrew Usher, a successful 19th century whisky distiller, whose donation of £100,000 funded the new concert hall’s construction! After a brief introduction, they’ll lead you on a three-hour stroll through Edinburgh’s historic Old Town, pausing at various landmarks along the way. These will include the city’s oldest surviving building, Queen Margaret’s Chapel; Edinburgh Castle, St. Giles’ Cathedral, Princes Street Gardens, the National Galleries of Scotland, and many more. Together, these will tell the story of a city built on centuries of struggle and shaped by remarkable characters. Follow in the footsteps of leaders, writers, philosophers, bodysnatchers, witches and a faithful Skye terrier—and leave feeling enlightened when the tour concludes!The History, Culture & Architecture Tour of Edinburgh promises a fascinating few hours for curious visitors, and Experience Days vouchers make thoughtful gifts for history buffs. If you’re planning a trip to Auld Reekie, why not treat your travelling companion today! 

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  • Music in North India : Experiencing Music, Expressing Culture
    Music in North India : Experiencing Music, Expressing Culture

    Designed for undergraduates with little or no background in world music, Music in North India is one of several volumes that can be used along with Thinking Musically, the main book in the Global Music Series, in any introductory world music or ethnomusicology course. Music in North India provides an overview of the many styles of North Indian music, from the chants of the ancient Vedas to modern devotional singing; from the serious and meditative rendering of raga to the concert-hall excitement of the modern sitar, sarod, and tabla.The text is framed around three central topics: the devotional component of North Indian music, the idea of fixity and spontaneity in the various styles of Indian music, and the importance of the verbal syllable to the expression of the musical aesthetic in North India.Featuring vivid eyewitness accounts of performances and interviews with performers, this unique volume describes the form, structure, and expression of North Indian music while also illuminating its pronounced religious and cultural significance.It is packaged with a 70-minute CD that includes examples of the music discussed in the text.

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  • What music was played at Baroque festivals?

    At Baroque festivals, a variety of music was played, including instrumental pieces such as concertos, sonatas, and suites. Vocal music was also popular, with performances of operas, oratorios, and cantatas. The music was often composed by well-known Baroque composers such as Bach, Handel, and Vivaldi. The music played at these festivals was typically grand and elaborate, reflecting the ornate and dramatic style of the Baroque period.

  • Why do people cry at music festivals?

    People cry at music festivals for a variety of reasons. Music has the power to evoke strong emotions and memories, and being surrounded by a community of like-minded individuals can create a sense of connection and belonging. Additionally, the sensory overload of the music, lights, and energy of a festival can be overwhelming, leading to a release of emotions through tears. People may also cry as a way to release pent-up emotions or as a cathartic response to the music and the overall experience of the festival.

  • Which festivals are there with different music genres?

    There are several festivals that feature a variety of music genres. For example, the Glastonbury Festival in the UK showcases a diverse range of music genres including rock, pop, electronic, and world music. Coachella in the US is known for its mix of indie, hip-hop, electronic, and pop music. The Montreux Jazz Festival in Switzerland combines jazz, blues, rock, and electronic music. These festivals provide a platform for music lovers to experience a wide array of genres in one event.

  • What festivals are there with different music genres?

    There are several festivals that cater to different music genres. For example, Coachella in California features a mix of indie, rock, pop, and electronic music. The New Orleans Jazz & Heritage Festival showcases a variety of jazz, blues, R&B, and gospel music. Electric Daisy Carnival (EDC) is known for its electronic dance music (EDM) lineup. These festivals offer a diverse range of musical experiences for attendees to enjoy.

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  • Music and Youth Culture
    Music and Youth Culture

    Music and Youth Culture offers a groundbreaking account of how music interacts with young people's everyday lives.Drawing on interviews with and observations of youth groups together with archival research, it explores young people's enactment of music tastes and performances, and how these are articulated through narratives and literacies.An extensive review of the field reveals an unhealthy emphasis on committed, fanatical, spectacular youth music cultures such as rock or punk.On the contrary, this book argues that ideas about youth subcultures and club cultures no longer apply to today's young generation.Rather, archival findings show that the music and dance cultures of youth in 1930s and 1940s Britain share more in common with youth today than the countercultures and subcultures of the 1960s and 1970s.By focusing on the relationship between music and social interactions, the book addresses questions that are scarcely considered by studies stuck in the youth cultural worlds of subcultures, club cultures and post-subcultures: What are the main influences on young people's music tastes?How do young people use music to express identities and emotions?To what extent can today's youth and their music seem radical and progressive? And how is the 'special relationship' between music and youth culture played out in everyday leisure, education and work places?Features * The first comprehensive study of popular music and youth cultural studies * Includes rare historical work on pre-1950s youth cultures * Contains original photographs and diagrammatic illustrations.

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  • Studying Popular Music Culture
    Studying Popular Music Culture

    That rare thing, an academic study of music that seeks to tie together the strands of the musical text, the industry that produces it, and the audience that gives it meaning...A vital read for anyone interested in the changing nature of popular music production and consumption" - Dr Nathan Wiseman-Trowse, The University of Northampton Popular music entertains, inspires and even empowers, but where did it come from, how is it made, what does it mean, and how does it eventually reach our ears? Tim Wall guides students through the many ways we can analyse music and the music industries, highlighting crucial skills and useful research tips. Taking into account recent changes and developments in the industry, this book outlines the key concepts, offers fresh perspectives and encourages readers to reflect on their own work.Written with clarity, flair and enthusiasm, it covers: Histories of popular music, their traditions and cultural, social, economic and technical factorsIndustries and institutions, production, new technology, and the entertainment mediaMusical form, meaning and representationAudiences and consumption. Students' learning is consolidated through a set of insightful case studies, engaging activities and helpful suggestions for further reading.

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  • Festivals : A Music Lover's Guide to the Festivals You Need To Know
    Festivals : A Music Lover's Guide to the Festivals You Need To Know

    Festivals is a must-have guide to the world’s best and most memorable music festivals – a list of all those you need to know and those you should experience. Discover the compelling stories behind the most significant and exciting events around the world which shape music and festival culture.This inspirational global guide showcases 50 bucket list festivals with photographs, posters, facts and figures, and draws attention to hundreds more to explore. Highlighting festival giants and jazz classics, pop powerhouses and indie favourites to dance scene darlings and punk rock adventures, we travel from Woodstock, Glastonbury, Coachella and Roskilde to Fuji Rock, Tomorrowland, Burning Man and Afro Punk. Here, the unique experience of a music festival is evocatively captured and an overview of the rise of the wonderful world of festival culture as we know it today revealed. Music journalist and DJ Oliver Keens writes with expertise, having played across Europe, from Glastonbury to the top of a Bulgarian mountain, and he guides us through these special and truly unique cultural gatherings with insight, bringing the vibrant scenes recounted in these pages to life.

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  • Music Is History
    Music Is History

    Questlove collects the 500 songs that have changed not just popular music, but also the worldQuestlove's Music Is History is an in-depth look into the 500 most influential songs in the history of music.Most famously known as a the drummer and joint frontman for the Grammy Award-winning band The Roots, Questlove is also an astute musicologist and voracious historian. In this book, Questlove dives into musical history from every decade of twentieth century, choosing one essential track from each year.The author thoughtfully and insightfully unpacks each song's cultural significance by placing it in its historical context, discussing real world events that shaped both the song's creation and its lasting impact.Analyses of iconic classics like "Sir Duke" by Stevie Wonder include tangents into the histories of science, politics, and pop culture.Questlove moves fluidly from the personal to the political, from Curtis Mayfield to the history of Black representation in cinema to musings on the Nixon presidency.Complete with comprehensive playlists organized around personal, playful themes like "Songs That Got Shafted" or "Songs With a Part I Really Like Even Though I Don't Like the Whole Song," this book is so full of Questlove's essential recommendations that it feels like a conversation with the industry's coolest music obsessive. Music Is History is a masterclass in music by a contemporary icon—a new American musical canon from one of music's most influential and unique voices.

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  • What are the boundaries of music and culture?

    The boundaries of music and culture are fluid and constantly evolving. Music is a powerful form of cultural expression that can transcend geographical, linguistic, and social boundaries. It can serve as a bridge between different cultures, allowing for the exchange of ideas and traditions. However, music can also be influenced by and reflect the values, beliefs, and practices of a particular culture, creating a sense of identity and belonging. Ultimately, the boundaries of music and culture are shaped by the interactions and exchanges between different communities and individuals.

  • Which music culture do you like the most?

    As an AI language model, I don't have personal preferences, but I can tell you that music cultures are diverse and each has its own unique characteristics that make it special. Whether it's the rhythmic beats of African drumming, the intricate melodies of Indian classical music, the soulful sounds of American jazz, or the energetic rhythms of Latin music, each culture offers something unique and beautiful. It's important to appreciate and celebrate the diversity of music cultures and the richness they bring to the world of music.

  • Why is crowdsurfing not allowed at so many music festivals?

    Crowdsurfing is not allowed at many music festivals due to safety concerns. Crowdsurfing can lead to injuries for both the person crowdsurfing and the people in the crowd who may not be prepared to support the weight of a person being passed over their heads. Additionally, crowdsurfing can disrupt the flow of the crowd and cause discomfort for other festival attendees. To ensure the safety and enjoyment of all festival-goers, many music festivals have chosen to prohibit crowdsurfing.

  • What is the history of Western music?

    The history of Western music can be traced back to ancient Greece, where the foundations of music theory and notation were laid. Over the centuries, Western music has evolved through various periods, including the medieval, Renaissance, Baroque, Classical, Romantic, and 20th century periods. Each era brought new styles, forms, and techniques, from the polyphony of the Renaissance to the emotional expressiveness of the Romantic period. Western music has been shaped by the contributions of countless composers, musicians, and cultural movements, resulting in a rich and diverse musical tradition that continues to evolve to this day.

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