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History, Culture & Architecture Tour of Edinburgh
Experience Days Tours: This three-hour guided walking tour of Edinburgh will fascinate discerning sightseers. Led by descendants of one of the city’s most influential families, it’s a chance to explore the unique history, culture and architecture of the Royal Mile and Old Town.Tours begin outside Usher Hall on Lothian Road, a building of special significance to your guides Stuart and Richard. It was their ancestor Andrew Usher, a successful 19th century whisky distiller, whose donation of £100,000 funded the new concert hall’s construction! After a brief introduction, they’ll lead you on a three-hour stroll through Edinburgh’s historic Old Town, pausing at various landmarks along the way. These will include the city’s oldest surviving building, Queen Margaret’s Chapel; Edinburgh Castle, St. Giles’ Cathedral, Princes Street Gardens, the National Galleries of Scotland, and many more. Together, these will tell the story of a city built on centuries of struggle and shaped by remarkable characters. Follow in the footsteps of leaders, writers, philosophers, bodysnatchers, witches and a faithful Skye terrier—and leave feeling enlightened when the tour concludes!The History, Culture & Architecture Tour of Edinburgh promises a fascinating few hours for curious visitors, and Experience Days vouchers make thoughtful gifts for history buffs. If you’re planning a trip to Auld Reekie, why not treat your travelling companion today!
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History of Interior Architecture : Furniture, Design, and Global Culture
In today’s globalized world, every aspect of our lives is affected by global interconnectedness from what we buy to what we eat to what we study – and the study of design history is no exception.Programs in art, architecture, and interior design are all facing the challenges of providing students with information from around the world.History of Interior Architecture: Furniture, Design, and Global Culture, Second Edition, (formerly titled History of Furniture: A Global View) covers the major historical movements in architecture, interior design, furniture, and the decorative arts from prehistoric periods through contemporary times, and it includes parts of the world that traditional history books ignore or underserve such as Africa, Asia, and Latin America.It presents, moreover, the achievements of Western designers, not in isolation from the rest of the globe, but in vibrant contact with it.For example, students will learn about the influence of Islamic design on Romanesque style and Thailand’s interpretation of Art Nouveau.In short, this comprehensive book with a global perspective focuses on the evolution of interior design from ancient history through deconstruction with lens on societal issues, like politics, economics, gender, technology, ethics, and sociology, in addition to history and aesthetics. FEATURES:- Highlights the contributions of women- Considers interior architecture in conjunction with other disciplines, including urban design, landscape design, graphic design, and fashion NEW TO THIS EDITION:- Focus on the 20th and 21st centuries, while streamlining earlier historical chapters, in accordance with the current curriculum- Discusses user-focused design, sustainability, and universal design- First edition to include online ancillary package with STUDIO features and Instructor ResourcesSTUDIO Features Includes:- Self-assessment quizzes to test yourself on what you have just read- Visual and Vocabulary Flashcards of key terms and concepts covered in the book Instructor Resources- Instructor’s Guide to help incorporate the text into your classroom- PowerPoint Slides for every chapter
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High Society : Mind-Altering Drugs in History and Culture
A global history of intoxication, exploring the international spectrum of drug use in cultures across the world, from prehistory to the present day. Every society is a high society. Every day, people drink coffee on European terraces, chew betel nut in Indonesian markets, take coca leaf on Andean mountainsides and smoke tobacco in every nation on earth.Mike Jay’s global history of intoxication looks at the earliest archaeological evidence of drug use, the botanicals of the classical world, the mind-bending self-experiments of early scientists and today's ‘war on drugs’. In High Society Jay paints vivid portraits of the roles that drugs play as medicines, religious sacraments, status symbols and trade goods.He traces the understanding of intoxicants from prehistory to the present, and reveals how the international trade in substances such as tobacco, tea and opium shaped the modern world.First published to accompany the highly successful exhibition at the Wellcome Collection, London, and now featuring a new preface, this striking and lyrical book remains one of the most complete explorations of drug use in cultures across the world.
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Public Humanities in Architecture : Reflections on Heritage, Culture, and History
Anyone concerned with the history, tradition, and culture of our built environment will sooner or later come across the term ‘Public Humanities’.At the interface between an academic discipline and the media-oriented culture industry, Public Humanities is established as a field of inquiry in the US and is increasingly becoming so in Europe too. Whether this field of research remains a product of Western culture will only become apparent in the coming years.However, linking architectural debate with the humanities is an important concern of the papers collected here. These essays on architectural theory provide academic food for thought while encouraging reflection on the discipline of architecture and stimulating urban design in the twenty-first century.The lectures collected here are from a class on Public Humanities at Brown University.
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What are electricity and high culture history?
Electricity history refers to the development and use of electricity as a form of energy, including the discovery of electricity, the invention of electric devices, and the establishment of electrical systems. High culture history, on the other hand, refers to the history of cultural and artistic achievements that are considered to be of high quality and sophistication, such as classical music, literature, fine arts, and theater. Both electricity and high culture history have evolved over time, shaping the way we live and appreciate the world around us.
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What is the difference between low culture and high culture in history?
Low culture refers to the cultural activities and products that are considered to be more common, popular, and easily accessible to the general public. This can include things like popular music, television shows, and mass-produced literature. On the other hand, high culture refers to the cultural activities and products that are considered to be more refined, sophisticated, and often associated with the elite or educated classes. This can include things like classical music, fine art, and literature that is considered to be more intellectually challenging. The distinction between low and high culture has been a source of debate and has evolved over time, but it generally reflects the social and class divisions within a society.
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What is high culture?
High culture refers to the cultural products and activities that are considered to be of superior quality, sophistication, and intellectual value. This can include classical music, opera, ballet, theater, literature, fine art, and other forms of artistic expression that are often associated with elite or educated audiences. High culture is often seen as a reflection of the values, ideals, and achievements of a society, and it is typically contrasted with popular or mass culture. It is often associated with formal education and is considered to be more intellectually and aesthetically challenging than popular culture.
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Which beaches offer sun loungers with high entry?
Some beaches that offer sun loungers with high entry include luxury resorts and private beach clubs. These establishments often provide premium amenities and services, such as comfortable loungers, umbrellas, towel service, and access to facilities like bars and restaurants. Visitors can enjoy a more exclusive and upscale beach experience at these locations, but should be prepared for higher entry fees or minimum spending requirements. Examples of beaches with high entry sun loungers include Nikki Beach in Miami, Mamitas Beach Club in Playa del Carmen, and Blue Marlin Ibiza in Cala Jondal.
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Architecture and Spatial Culture
Built space supports our daily habits and our membership of communities, organizations, institutions, or social formations.Architecture and Spatial Culture argues that architecture matters because it makes the settings of our life intelligible, so that we can sustain or creatively transform them. As technological and social innovations allow us to overcome spatial constraints to communication, cooperation, and exchange, so the architecture of embodied experience reflects independent cultural choices and human values.The analysis of a wealth of examples, from urban environments to workplaces and museums, shows that built space functions pedagogically, inducing us to specific ways of seeing, understanding, and feeling, and supporting distinct patterns of cooperation and life in common. Architecture and Spatial Culture is about the principles that underpin the design and inhabitation of space.It also serves as an introduction to Space Syntax, a descriptive theory used to model the human functions of layouts.Thus, it addresses architects, students of architecture and all those working in disciplines that engage the design of the built environment and its social effects.
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Formulations : Architecture, Mathematics, Culture
An investigation of mathematics as it was drawn, encoded, imagined, and interpreted by architects on the eve of digitization in the mid-twentieth century. In Formulations, Andrew Witt examines the visual, methodological, and cultural intersections between architecture and mathematics.The linkages Witt explores involve not the mystic transcendence of numbers invoked throughout architectural history, but rather architecture’s encounters with a range of calculational systems—techniques that architects inventively retooled for design.Witt offers a catalog of mid-twentieth-century practices of mathematical drawing and calculation in design that preceded and anticipated digitization as well as an account of the formal compendia that became a cultural currency shared between modern mathematicians and modern architects. Witt presents a series of extensively illustrated “biographies of method”—episodes that chart the myriad ways in which mathematics, particularly the mathematical notion of modeling and drawing, was spliced into the creative practice of design.These include early drawing machines that mechanized curvature; the incorporation of geometric maquettes—“theorems made flesh”—into the toolbox of design; the virtualization of buildings and landscapes through surveyed triangulation and photogrammetry; formal and functional topology; stereoscopic drawing; the economic implications of cubic matrices; and a strange synthesis of the technological, mineral, and biological: crystallographic design. Trained in both architecture and mathematics, Witt uses mathematics as a lens through which to understand the relationship between architecture and a much broader set of sciences and visual techniques.Through an intercultural exchange with other disciplines, he argues, architecture adapted not only the shapes and surfaces of mathematics but also its values and epistemic ideals.
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High On… Light + Architecture
High On...Light + Architecture explores the role and use of light in and around modern buildings.This full colour book illustrates how a greater understanding of this intangible and free material leads to better architecture and improves our quality of life.It explains why light is so fundamental to human perception, how its nature and use are influenced by time and place and how it has come to be used as a tool for abstract architectural design.Drawing on centuries of thinking and over 30 international examples, the author explores the different ways that light can be harnessed and manipulated to achieve particular objectives, emotions or experiences, as well as how the technologies and techniques for doing so have developed over time.
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Goa’s Bom Jesus as Visual Culture : The Basilica’s Architecture, Image, History and Identity
This book chronicles the visual history of the Basilica of Bom Jesus, one of the longest-surviving churches from Goa’s Portuguese colonial era.In the sixteenth century, this baroque church in Old Goa was constructed to house the sacred relics of St.Francis Xavier and is emblematic of Goa Dourada or Golden Goa. Despite their early modern origins, monuments like the Basilica continue to influence visual culture that pertains to Goa.Accordingly, this book uncovers the traces of architectural images of Goa’s sixteenth- and seventeenth-century monuments and conducts a genealogical study of how uses of religious architecture shift over time.Thus, even as the Basilica originally functioned to portray or recall a grand empire by evoking the notion of Goa Dourada, its iconicity has been employed in marking Goa’s difference from the rest of India thereafter.By employing an analysis of historical texts, illustrations, photography, film, and pageantry, this volume demonstrates how the image of the Basilica has been employed to create a discourse on Goan identity.In fact, right from the colonial period, when Goa was heralded as the Rome of the East, to the post-Portuguese period, when Goa became an idyllic destination for leisure tourism, architectural images of Bom Jesus have been central in shaping Goa’s identity. Goa’s Bom Jesus as Visual Culture will be useful to students and educators in the fields of architecture, history, anthropology, sociology, history of architecture, and colonial/postcolonial studies.Finally, the long history of a single monument that the book documents highlights how Goans have been shaping their unique culture.At the same time as Goans imbibed Portuguese and other European influences, they also domesticated and remade such colonial heritage in South Asian fashion and, in turn, contributed to global aesthetics.
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Were the Illyrians a high culture?
The Illyrians were not considered a high culture in the traditional sense, as they did not have a centralized state or a sophisticated urban civilization like some other ancient societies. However, they were a significant cultural group in the ancient Mediterranean, known for their skilled craftsmanship, warrior culture, and unique artistic traditions. They had a complex social structure and were influential in the region, but they did not leave behind the same level of monumental architecture or written records as some other ancient civilizations. Overall, while the Illyrians were not a high culture in the traditional sense, they were an important and distinctive cultural group in the ancient world.
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Is Germany a high culture today?
Germany is considered to have a rich and diverse cultural heritage, with a strong emphasis on the arts, literature, music, and philosophy. The country is home to numerous world-renowned cultural institutions, such as the Berlin Philharmonic, the Bauhaus movement, and the Frankfurt Book Fair. Additionally, Germany continues to be a leader in contemporary art and design, with a thriving creative scene in cities like Berlin and Munich. Overall, Germany can be considered a high culture today due to its significant contributions to the global cultural landscape.
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How can high culture be easily explained?
High culture can be easily explained as the cultural products and activities that are considered to be of the highest aesthetic and intellectual value in a society. This can include art, literature, classical music, theater, and other forms of expression that are often associated with refinement, sophistication, and intellectual depth. High culture is often seen as a reflection of the values and ideals of a society, and is typically associated with education, wealth, and social status.
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Is Sid Vicious part of high culture?
No, Sid Vicious is not typically considered part of high culture. He was a member of the punk rock band the Sex Pistols, known for their anti-establishment and rebellious attitude. High culture typically refers to art, literature, and music that is considered sophisticated and refined, which is not the image associated with Sid Vicious and the punk rock movement. However, his impact on popular culture and music history is significant, and he remains an influential figure in the punk rock genre.
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