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History, Culture & Architecture Tour of Edinburgh
Experience Days Tours: This three-hour guided walking tour of Edinburgh will fascinate discerning sightseers. Led by descendants of one of the city’s most influential families, it’s a chance to explore the unique history, culture and architecture of the Royal Mile and Old Town.Tours begin outside Usher Hall on Lothian Road, a building of special significance to your guides Stuart and Richard. It was their ancestor Andrew Usher, a successful 19th century whisky distiller, whose donation of £100,000 funded the new concert hall’s construction! After a brief introduction, they’ll lead you on a three-hour stroll through Edinburgh’s historic Old Town, pausing at various landmarks along the way. These will include the city’s oldest surviving building, Queen Margaret’s Chapel; Edinburgh Castle, St. Giles’ Cathedral, Princes Street Gardens, the National Galleries of Scotland, and many more. Together, these will tell the story of a city built on centuries of struggle and shaped by remarkable characters. Follow in the footsteps of leaders, writers, philosophers, bodysnatchers, witches and a faithful Skye terrier—and leave feeling enlightened when the tour concludes!The History, Culture & Architecture Tour of Edinburgh promises a fascinating few hours for curious visitors, and Experience Days vouchers make thoughtful gifts for history buffs. If you’re planning a trip to Auld Reekie, why not treat your travelling companion today!
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Mass Housing : Modern Architecture and State Power – a Global History
Shortlisted for the Alice Davis Hitchcock Medallion 2021 (The Society of Architectural Historians of Great Britain)"It will become the standard work on the subject." Literary ReviewThis major work provides the first comprehensive history of one of modernism’s most defining and controversial architectural legacies: the 20th-century drive to provide ‘homes for the people’. Vast programmes of mass housing – high-rise, low-rise, state-funded, and built in the modernist style – became a truly global phenomenon, leaving a legacy which has suffered waves of disillusionment in the West but which is now seeing a dramatic, 21st-century renaissance in the booming, crowded cities of East Asia. Providing a global approach to the history of Modernist mass-housing production, this authoritative study combines architectural history with the broader social, political, cultural aspects of mass housing – particularly the ‘mass’ politics of power and state-building throughout the 20th century. Exploring the relationship between built form, ideology, and political intervention, it shows how mass housing not only reflected the transnational ideals of the Modernist project, but also became a central legitimizing pillar of nation-states worldwide. In a compelling narrative which likens the spread of mass housing to a ‘Hundred Years War’ of successive campaigns and retreats, it traces the history around the globe from Europe via the USA, Soviet Union and a network of international outposts, to its ultimate, optimistic resurgence in China and the East – where it asks: Are we facing a new dawn for mass housing, or another ‘great housing failure’ in the making?
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History of Interior Architecture : Furniture, Design, and Global Culture
In today’s globalized world, every aspect of our lives is affected by global interconnectedness from what we buy to what we eat to what we study – and the study of design history is no exception.Programs in art, architecture, and interior design are all facing the challenges of providing students with information from around the world.History of Interior Architecture: Furniture, Design, and Global Culture, Second Edition, (formerly titled History of Furniture: A Global View) covers the major historical movements in architecture, interior design, furniture, and the decorative arts from prehistoric periods through contemporary times, and it includes parts of the world that traditional history books ignore or underserve such as Africa, Asia, and Latin America.It presents, moreover, the achievements of Western designers, not in isolation from the rest of the globe, but in vibrant contact with it.For example, students will learn about the influence of Islamic design on Romanesque style and Thailand’s interpretation of Art Nouveau.In short, this comprehensive book with a global perspective focuses on the evolution of interior design from ancient history through deconstruction with lens on societal issues, like politics, economics, gender, technology, ethics, and sociology, in addition to history and aesthetics. FEATURES:- Highlights the contributions of women- Considers interior architecture in conjunction with other disciplines, including urban design, landscape design, graphic design, and fashion NEW TO THIS EDITION:- Focus on the 20th and 21st centuries, while streamlining earlier historical chapters, in accordance with the current curriculum- Discusses user-focused design, sustainability, and universal design- First edition to include online ancillary package with STUDIO features and Instructor ResourcesSTUDIO Features Includes:- Self-assessment quizzes to test yourself on what you have just read- Visual and Vocabulary Flashcards of key terms and concepts covered in the book Instructor Resources- Instructor’s Guide to help incorporate the text into your classroom- PowerPoint Slides for every chapter
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Public Humanities in Architecture : Reflections on Heritage, Culture, and History
Anyone concerned with the history, tradition, and culture of our built environment will sooner or later come across the term ‘Public Humanities’.At the interface between an academic discipline and the media-oriented culture industry, Public Humanities is established as a field of inquiry in the US and is increasingly becoming so in Europe too. Whether this field of research remains a product of Western culture will only become apparent in the coming years.However, linking architectural debate with the humanities is an important concern of the papers collected here. These essays on architectural theory provide academic food for thought while encouraging reflection on the discipline of architecture and stimulating urban design in the twenty-first century.The lectures collected here are from a class on Public Humanities at Brown University.
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What is the history of thermal power plants?
Thermal power plants have been in existence since the late 19th century when the first coal-fired power plant was built in the United States. Over time, the technology has evolved to include different types of fuel sources such as natural gas, oil, and biomass. These power plants generate electricity by converting heat energy into electrical energy through the use of steam turbines. Despite advancements in renewable energy sources, thermal power plants continue to play a significant role in meeting the world's energy demands.
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What is the history of hydroelectric power plants?
Hydroelectric power plants have a long history dating back to ancient times when water wheels were used to grind grain and perform other tasks. The first modern hydroelectric power plant was built in 1882 in Appleton, Wisconsin, and was used to provide electricity to a paper mill. The development of hydroelectric power plants accelerated in the 20th century, with the construction of large-scale facilities such as the Hoover Dam in the United States and the Three Gorges Dam in China. Today, hydroelectric power is a significant source of renewable energy, providing electricity to millions of people around the world.
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What are electricity and high culture history?
Electricity history refers to the development and use of electricity as a form of energy, including the discovery of electricity, the invention of electric devices, and the establishment of electrical systems. High culture history, on the other hand, refers to the history of cultural and artistic achievements that are considered to be of high quality and sophistication, such as classical music, literature, fine arts, and theater. Both electricity and high culture history have evolved over time, shaping the way we live and appreciate the world around us.
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What is the difference between low culture and high culture in history?
Low culture refers to the cultural activities and products that are considered to be more common, popular, and easily accessible to the general public. This can include things like popular music, television shows, and mass-produced literature. On the other hand, high culture refers to the cultural activities and products that are considered to be more refined, sophisticated, and often associated with the elite or educated classes. This can include things like classical music, fine art, and literature that is considered to be more intellectually challenging. The distinction between low and high culture has been a source of debate and has evolved over time, but it generally reflects the social and class divisions within a society.
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Michaela: The Power of Culture
Michaela Community School in Brent, London is one of the most talked-about schools in the UK.In this follow-up to the best-selling book Battle Hymn Of The Tiger Teachers, their teachers further explain how their relentlessly high expectations are helping young people to get great results and be successful.Since opening in 2014, Michaela Community School has blazed a trail and defied many of the received notions about what works best in schools.In Michaela: The Battle For Western Education, staff explore some of the things they have learned since the publication of the original book and further develop the ideology that lies beyond the headlines and social media arguments.Chapters include: Don't be squeamish about scripture - why we teach religion at Michaela; Relationships & systems; National Citizenship and Identity; Teaching National History; Digital Detox; Authority; Original Sin & Christian beliefs at Michaela; Telling kids the truth/teaching personal responsibility; Assessment at Michaela; Loving the difficult kids; The baby in the progressive bath water; The culture of feedback at Michaela; Why is teaching gratitude important?; Parenting the Michaela way
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Architecture and Spatial Culture
Built space supports our daily habits and our membership of communities, organizations, institutions, or social formations.Architecture and Spatial Culture argues that architecture matters because it makes the settings of our life intelligible, so that we can sustain or creatively transform them. As technological and social innovations allow us to overcome spatial constraints to communication, cooperation, and exchange, so the architecture of embodied experience reflects independent cultural choices and human values.The analysis of a wealth of examples, from urban environments to workplaces and museums, shows that built space functions pedagogically, inducing us to specific ways of seeing, understanding, and feeling, and supporting distinct patterns of cooperation and life in common. Architecture and Spatial Culture is about the principles that underpin the design and inhabitation of space.It also serves as an introduction to Space Syntax, a descriptive theory used to model the human functions of layouts.Thus, it addresses architects, students of architecture and all those working in disciplines that engage the design of the built environment and its social effects.
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Formulations : Architecture, Mathematics, Culture
An investigation of mathematics as it was drawn, encoded, imagined, and interpreted by architects on the eve of digitization in the mid-twentieth century. In Formulations, Andrew Witt examines the visual, methodological, and cultural intersections between architecture and mathematics.The linkages Witt explores involve not the mystic transcendence of numbers invoked throughout architectural history, but rather architecture’s encounters with a range of calculational systems—techniques that architects inventively retooled for design.Witt offers a catalog of mid-twentieth-century practices of mathematical drawing and calculation in design that preceded and anticipated digitization as well as an account of the formal compendia that became a cultural currency shared between modern mathematicians and modern architects. Witt presents a series of extensively illustrated “biographies of method”—episodes that chart the myriad ways in which mathematics, particularly the mathematical notion of modeling and drawing, was spliced into the creative practice of design.These include early drawing machines that mechanized curvature; the incorporation of geometric maquettes—“theorems made flesh”—into the toolbox of design; the virtualization of buildings and landscapes through surveyed triangulation and photogrammetry; formal and functional topology; stereoscopic drawing; the economic implications of cubic matrices; and a strange synthesis of the technological, mineral, and biological: crystallographic design. Trained in both architecture and mathematics, Witt uses mathematics as a lens through which to understand the relationship between architecture and a much broader set of sciences and visual techniques.Through an intercultural exchange with other disciplines, he argues, architecture adapted not only the shapes and surfaces of mathematics but also its values and epistemic ideals.
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Goa’s Bom Jesus as Visual Culture : The Basilica’s Architecture, Image, History and Identity
This book chronicles the visual history of the Basilica of Bom Jesus, one of the longest-surviving churches from Goa’s Portuguese colonial era.In the sixteenth century, this baroque church in Old Goa was constructed to house the sacred relics of St.Francis Xavier and is emblematic of Goa Dourada or Golden Goa. Despite their early modern origins, monuments like the Basilica continue to influence visual culture that pertains to Goa.Accordingly, this book uncovers the traces of architectural images of Goa’s sixteenth- and seventeenth-century monuments and conducts a genealogical study of how uses of religious architecture shift over time.Thus, even as the Basilica originally functioned to portray or recall a grand empire by evoking the notion of Goa Dourada, its iconicity has been employed in marking Goa’s difference from the rest of India thereafter.By employing an analysis of historical texts, illustrations, photography, film, and pageantry, this volume demonstrates how the image of the Basilica has been employed to create a discourse on Goan identity.In fact, right from the colonial period, when Goa was heralded as the Rome of the East, to the post-Portuguese period, when Goa became an idyllic destination for leisure tourism, architectural images of Bom Jesus have been central in shaping Goa’s identity. Goa’s Bom Jesus as Visual Culture will be useful to students and educators in the fields of architecture, history, anthropology, sociology, history of architecture, and colonial/postcolonial studies.Finally, the long history of a single monument that the book documents highlights how Goans have been shaping their unique culture.At the same time as Goans imbibed Portuguese and other European influences, they also domesticated and remade such colonial heritage in South Asian fashion and, in turn, contributed to global aesthetics.
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'Power seizure or power delegation?'
Power seizure refers to the act of forcefully taking control or authority without consent, often through coercion or violence. On the other hand, power delegation involves the voluntary transfer of authority or responsibility from one individual or group to another. While power seizure is typically seen as illegitimate and undemocratic, power delegation can be a strategic and legitimate way to distribute power and promote collaboration within organizations or societies. Ultimately, the distinction between the two lies in the manner in which power is acquired and exercised.
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'Power seizure or power transfer?'
Power seizure refers to the forcible takeover of power or authority, often through illegal or undemocratic means. This can involve a coup d'état, military intervention, or other forms of coercion. On the other hand, power transfer refers to the peaceful and legitimate transfer of power from one leader or government to another, typically through democratic processes such as elections or constitutional succession. The distinction between the two is crucial for the stability and legitimacy of a government, as power seizure can lead to instability and conflict, while power transfer upholds the rule of law and democratic principles.
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System or Pure Power power supply?
When choosing between a System or Pure Power power supply, it ultimately depends on your specific needs and preferences. A System power supply is designed to provide stable and reliable power for your system components, ensuring smooth operation and longevity. On the other hand, a Pure Power power supply focuses on delivering clean and efficient power with minimal noise and interference, which can be beneficial for high-performance systems or sensitive components. Consider your system requirements and budget to determine which type of power supply would be the best fit for your setup.
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What are the terms rated power, music power, and peak power?
Rated power refers to the continuous power output that a device or system can sustain over an extended period of time. Music power, also known as dynamic power, is a measure of the short-term power output that a device can handle when reproducing music or other dynamic audio signals. Peak power, on the other hand, is the maximum power output that a device can handle for very short durations, such as during sudden loud bursts of sound. These terms are commonly used to describe the power handling capabilities of audio equipment such as speakers and amplifiers.
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